‘Set of 4 cards based on 1891 painting by Walter Crane (1845 – 1915 English)’
Walter Crane (1845 – 1915 English)

Set of 4 cards based on 1891 painting by Walter Crane (1845 – 1915 English)

Walter Crane was a prolific artist who created illustrations, paintings and designs for a wide variety of publications, galleries and other artistic venues. Examples included children’s books, ceramic tiles, wallpapers, stained glass designs, and other decorative arts such as (fairy) costume designs. He was most active in the 1880’s and 1890’s.

The piece from which the cards are derived is titled ‘Morn, Noon, Eve, Night’  (oil on panel) and was painted in 1891. As the title suggests…

‘Fairies Looking Through A Gothic Arch’
by John Anster Fitzgerald (1819? – 1906 English)

John Anster Fitzgerald (1819? – 1906 English), was a self-taught Victorian era fairy painter and portrait artist. Most of his work focused on complex settings of fairies, ghouls, demons, and the like and often amidst flowers and other garden backdrops. As his reputation and popularity grew, over time he was nicknamed and became referred to as ‘Fairy Fitzgerald’. He was one of the most popular Victorian fairy painters during his time.

He was born in Lambeth, South London, the son of a minor poet William Thomas Fitzgerald, and was of Irish ancestry. In 1849 he married Mary Ann Barr and they raised four sons and two daughters. He was reclusive by nature, and had limited connections with other artists and the art community in general…

‘Hylas & the Nymphs’
by John William Waterhouse (1849 – 1917 English)

John William Waterhouse (1849 – 1917 English), was an English painter who focused on Greek and Roman mythology, Arthurian legend and the tales from the works of Shakespeare as his subject matter. During the course of his life, he painted some of the most iconic pieces of art depicting fairies (nymphs) and other mythological characters and scenes. He often painted young women in much of his work, but also scenes of ancient legendary events, all with rich oil colors and attention to detail. His paintings have a heavily romanticized look and feel, with deep colors and somber expressions.

Examples of the themes…
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‘Fairy Trade Cars with Gilded Backgrounds’
Trade Cards printed circa 1870- 1900 (France)

Displayed below are a set of Fairy trade card illustrations set against a gold background, a technique called chromolithography. The gilded background is a unique technique which gives the cards a regal effect, accentuates the fairy figures and overall creates a pleasing magic about them. As such I present them here because of their rich feel and striking appearance.

These cards were originally printed as a vintage trade card set of 6 in France circa 1870 – 1900…

‘Wild Hemlock’
by by Jessie Marion King (1875 – 1949 Scottish)

Jessie Marion King (1875 – 1949 Scottish), was born in 1875 in Bearsden, Scotland, a suburb of Glasgow,, the youngest of five children. Her father was a minister and her mother the daughter of a prominent banker. She grew up in the care of a housekeeper and governess Mary McNab, whom she came to regard as a second mother.

At the age of 17, as part of her formal education, she enrolled in the Glasgow School of Art, where she showed a natural talent for drawing, and where she continued to study and later taught. After her time there, she won a scholarship to study in France and Italy. In 1898 she won a silver medal in the South Kensington annual competition, and in 1902 a gold medal for book design at another competition, the Turin exhibition. As recognition grew of her work across Europe, she started being commissioned to illustrate books with her distinctive, recognizable style. Over the course of her career, she illustrated or decorated over 40 books between 1898 to 1949…
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‘Liebig Company’s Fleisch Extract Butterfly Girls’
by Louis-Théophile Hingre (1832-1911 French)

During the late 1800’s and early 1900’s, many companies offered collectible trade cards as incentives to purchase their products. This advertising strategy was originally developed by Albert Poulain in the 1880’s. The strategy was to offer ‘sets’ of collectible trade cards that could be gathered by buying a company’s products and the included trade cards.

Trade cards sets included all kinds of topics, from illustrations for fairy tales, to historical figures and events, the the alphabet, animals and nature, and so on including fairies. Company products marketed via this strategy ranged from chocolate to baking soda to meat products…

‘Woodland Faerie’
by by M. T. (Penny) Ross (1881 – 1937 American)

Marion. T. Ross (1881 – 1937 American) affectionately nicknamed ‘Penny’, was a popular comic artist and children’s book illustrator from the early 1900’s. During his early career he lived in Oak Park, Illinois and owned a studio (Penny Ross Advertising Company) in downtown Chicago. in 1926 he moved to Southern California where he worked as a co-worker with Walt Disney, and also as a set designer for several area studios until 1937, the year of his death at the age of 56….
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”Morgiana Danced With Grace’
Arabian Nights’ (1928)’
by Virginia Frances Sterrett (1900-1931 American)

Virginia Frances Sterrett (1900 – 1931 American) is one of my favorite illustrators from the early 1900’s. Her stylistic illustrations capture imaginative scenes that seem to tell stories all by themselves.

She was born in 1900, Chicago, Illinois. Growing up, she was an introverted chid who preferred drawing to social interaction, so early on started developing her signature style. Preferring her own company, she also developed an expansive imagination which shows through her artwork…
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‘Goblin Market’
by Warwick Goble (1862 – 1943 British)

Warwick Goble (1862 – 1943 British), a well recognized artist from the early 1900’s, published his artwork in near two dozen books and in another dozen various magazine publications in his time, primarily between 1897 – 1928, being a primary contributor to the period known as ‘The Golden Age of Illustration’. His work included painting and illustrations for all types of fairy tales, such as the well known classics ‘The Water Babies’ in 1909 and ‘The Book of Fairy Poetry’ in 1920. He also created science fiction artwork, with his most significant work being for H.G. Wells’ book ‘The War of the Worlds’ in 1898, which showcased his style and imagination early in his career and brought him both recognition and demand for his work….

‘The Court of Fairyland’
by Thomas Maybank (1869-1929)

Hector Thomas Maybank Webb (1869-1929) was born in Beckenham, Kent to the parents of William Webb, a school board visitor, and his wife Annie, a china and glass dealer. He was injured as a boy of eight in a horse riding accident, injuring his hip and a resulting bone disease and causing him to be hospitalized for two years. He originally trained as an architect and worked as a surveyor for the Borough of Croydon, but moved into illustration and drawing cartoons full time around 1902. He was also a musician, playing the piano, organ and cello in his spare time. He died in 1929 in Esher, Surrey.

Once he started illustrating full time, he became a well-known, recognized artist. His style was rooted in the Edwardian tradition…